´ºÓêÖ±²¥app

This is a bookshelf where authors can speak about their own works selected
for a ´ºÓêÖ±²¥app Grant for Academic Publications (´ºÓêÖ±²¥app Jiritsu Award for Early Career Academics).

A picture of local festival

Title

Commons to shiteno Toshi-Sairei (Sociological Research of Local Festivals based on Commons Theory - The Case of Nagahama Hikiyama Festival in Japan)

Author

Size

332 pages, A5 format

Language

Japanese

Released

April 08, 2019

ISBN

9784788516298

Published by

³§³ó¾±²Ô-²â¨­-²õ³ó²¹

Book Info

See Book Availability at Library

Japanese Page

view japanese page

This book clarifies the social structures of Japanese cities with historical roots dating back to the medieval period. Many of these cities once thrived as castles or mercantile towns, and have inherited communities and cultures that find their roots in the Middle Ages. However, previous research on regional and urban sociology in Japan have not created an appropriate theoretical framework for analyzing their social structure, as most studies have regarded them as transforming and disappearing in the near future. Yet, traditional communities in such cities have endured while undergoing this change.
 
The author focuses on the theoretical potential of sociology of local community by Kizaemon Aruga and Takashi Nakano, which has been neglected by contemporary regional and urban sociology. Both of them investigated the social structure of communities in local cities by analyzing changes in the functions of mercantile ie (institutionalized households), and ie genealogical federations. In this book, the author renews their perspectives and develops a type of regional sociology that has not been discussed before by conducting research on the process of a local festival held by multiple ³¦³ó¨­²Ô²¹¾± (traditional communities consisting of ie federations) in Nagahama city, Shiga Prefecture.
 
The festival is here regarded as common property regime, in which each ³¦³ó¨­²Ô²¹¾± procures resources to generate and distribute scare benefits such as honor, and the residents share exciting experiences. All ie and ³¦³ó¨­²Ô²¹¾± compete for honor enthusiastically at the festival every year. While preparing for the festival, each ³¦³ó¨­²Ô²¹¾± procures resources such as labor, skills, money, and goods from each ie, the municipality, local economic organizations, and so on. These, on the one hand, distribute scare benefits as honorable gifts among ie and ³¦³ó¨­²Ô²¹¾±, and share the exciting experience of watching members of the ³¦³ó¨­²Ô²¹¾± battle for honor. On the other hand, the municipality and local economic organizations have the opportunity to utilize the festival as a tourist attraction and as an important cultural asset for the revitalization of local economy in exchange for resources. This book clarifies the social ties within local cities by analyzing the relationship between actors, created by the festival as common property regime.
 
Each ie tries to show prestige by gaining a higher status at the festival, and each ³¦³ó¨­²Ô²¹¾± shows its economic and cultural power by performing in the festival and competing with each another. In particular, ie that have lived in ³¦³ó¨­²Ô²¹¾± for generations and have invested resources in festivals are expected to gain a level of prestige matching their efforts. However, since only a few ie and ³¦³ó¨­²Ô²¹¾± can gain such prestige, conflicts often occur between them. Though such conflicts may seem to lead to the community’s collapse, people can actually become enthusiastic by watching and enjoy the festival. In addition, ie and ³¦³ó¨­²Ô²¹¾± that did not gain an honorable position expect to achieve it at future festivals. The reason that residents have inherited this festival for generations is to fulfill the expectation of being allocated prestigious positions, and to enjoy exciting experiences.
 
If the festival does not succeed, the residents’ expectations will not be fulfilled, and the reasons for inheriting the festival will be lost. After WW2, the festival tradition was found to be at risk many times because of a lack of resources, as local cities underwent social changes; consequentially, ³¦³ó¨­²Ô²¹¾±  expanded their social networks to procure resources from new actors, such as the municipality, local economic organizations, schools, and the National Agency for Cultural Affairs, in return for opportunities to utilize the festival as local attraction.
 
This book clarifies social structure in the local city mediated by the festival, with the aim to analyze relationships and networks of ie and ³¦³ó¨­²Ô²¹¾±.
 

(Written by: TAKEDA Shunsuke / September 17, 2020)

Table of Contents

Part I Theme and Research Perspective
Chapter 1 The Purpose and Perspective of This Book
Chapter 2 Limitations and Potential of Theoretical Framework for Analyzing ³¦³ó¨­²Ô²¹¾± in Regional and Urban Sociology in Japan
Chapter 3 Research Angle: Sociological Research of Local Festivals based on Commons Theory
Part II Resources and Benefits of the Festival and its Dynamic Inheritance
Chapter 4 Ie and Generations in ³¦³ó¨­²Ô²¹¾±£ºConflict on the Festival and its Dynamic Inheritance
Chapter 5 Control of Conflicts among Multiple ³¦³ó¨­²Ô²¹¾± and Sharing Enthusiastic Experiences: The Case of the “Praying Rally” (hadamakairi)
Chapter 6 Cooperation among Multiple ³¦³ó¨­²Ô²¹¾± and Reconstruction of ³¦³ó¨­²Ô²¹¾± after the 1960s
Chapter 7 Fundraising by Wakashu in ³¦³ó¨­²Ô²¹¾± and Utilization of Social Networking
Chapter 8 Community and Social Networking Mediated by Hikiyama Float: The Management System of Hikiyama as Common Resource
Part III Local Community and Social Networking in Cities Mediated by the Local Festival as Commons
Chapter 9 Tourist Attraction, Local Identity, Cultural Asset: Changing the Nominal Purpose of the Festival and Utilizing Social Networking in the City
Chapter 10 Conclusion
 

Related Info

Awards:
The 46th (2020) Fujita Award  (The Tokyo Institute for Municipal Research  Oct, 2020)


The 13th Award of Japan Association of Regional and Community Studies (May 26, 2020)

 
The 5th Award of Doctoral Dissertation by The Society of Lifeology (June 8th, 2019)